Recently, I’ve been thinking about how different people read books and my wonderfully wise husband, Sean, gave me a very helpful analogy that I thought I would share with you!
Sean is a musician, he plays himself but he also loves to listen to all different types and styles of music. He can appreciate the work that has gone into it. In this way, he’s similar to me with books. I love to write and read.
But for some people, not all music is equal. For some people, pop is to be avoided. It’s plastic, fake, not proper music! (Not my opinion!) Those same people could love things like Jazz and Classical music because they’re looking for the craft in the music, rather than a catchy tune they can sing along to. (A catchy tune is about my level!) In the same way, some people are reading for literary greatness, looking for meaning everywhere, scorning every adverb or wrongly placed comma.
So this means as a writer I need to decide who I’m writing for. Am I interested in ‘Pop’? Writing well crafted stories that people will enjoy and not notice the odd comma slip, adverb or imperfect plot. Or am I writing for people who enjoy ‘Jazz’? Readers who want to find deeper meanings and enjoy the book for the words more than the plot, who are looking for perfect prose.
People who are literary, for example, are usually not fans of Dan Brown. But Dan Brown has found phenomenal success because his plots are so gripping even if his prose is less than perfect.
Ideally, I need to aim to appeal to both audiences, but this can be a hard line to tread. For fear of over-editing, I can be reluctant to make any more changes, but by not editing enough, I open myself up to critique by literary readers. The answer, I think, is to be open to being edited harshly and choose what to accept without being offended. My blog on editing goes into more detail about this and you can read about how to handle critique here.
Overall, Sean’s analogy helped me to understand why I might not agree with my editor and feel irked by them! It’s not their fault they like Jazz! But I should listen to them because they know the craft at another level than I do or am interested in. So it’s up to me whether to write Jazz or Pop but whichever I do, I need to do it well.





